Three Facts About the South
Thomas Allen
Discussed below are the States’ right of secession, music, and the South was right.
States’ Right of Secession
Nowhere does the Constitution deny a State the right to secede. Secession is not expressly stated in the Constitution because the States reserved that right in the Tenth Amendment.
Each of the original 13 States had seceded twice when they ratified the Constitution of 1787. First, they had seceded from Great Britain, and then they seceded from the Union formed by the Articles of Confederation. That the States would deny themselves the right to secede from the Union formed by the Constitution of 1787 is absurd — especially since the Constitution did not expressly deny them this right. Even New York and Virginia declared in their ratification that they retained the right to secede. Further, the New England States claimed that they had the right to secede. Moreover, the Declaration of Independence asserted that the States (the colonies) had the right to secede. Thus, the Southern States had the right to secede in 1861.
Besides, when the States drafted the Constitution of 1787 and joined the federation created by that Constitution, they retained their sovereignty. (Because the States were republics and the Constitution guaranteed each State a republican form of government, the States could not surrender their sovereignty and still remain republics. [See “Returning Republican Governments to the States” by Thomas Allen.]) Sovereigns have the power to secede from any union or federation to which they have acceded.
When the Southern States seceded, they were merely exercising their right as sovereigns to leave the Union peacefully as the States did from the Union created by the Articles of Confederation. The Tenth Amendment guaranteed the right of secession.
For a more detailed discussion of a State’s right to secede, see Constitutional View of the Late War Between the States: Its Causes, Character, Conduct, and Results, volume 1, by Alexander H. Stephens, 1868.
Music
How long will it be before American music is outlawed? Why should American music be outlawed? Because, with rare exception, all neoconservatives, establishment conservatives, liberals, progressives, and libertarians are Dixiephobes. They loathe the South and Southerners. Therefore, they disdain everything Southern.
What does this have to do with music? All significant genres or styles of American music of any significance originated in the South. Thus, American music is the product of slavocracy, Jim Crow, White supremacy, and their descendants. Rock ‘n roll, jazz (including ragtime, boogie-woogie, Dixieland, and swing), blues, country, bluegrass, rhythm and blues, soul, funk, Tejano, Cajun, zydeco, gospel, spiritual, sacred harp, barbershop, and more are Southern. All of them came out of the South.
Because of their hatred of the South, neoconservatives, establishment conservatives, liberals, progressives, and libertarians seek to destroy everything that is Southern. Consequently, American music, which is really Southern music, must be destroyed. They have to destroy Southern music before it completely contaminates the virtues of Yankeedom.
(Reference: Daniel, Tom. “Academy of Southern Music.” Abbeville Institute: The Abbeville Blog, June 1, 2021. https://www.abbevilleinstitute.org/bthe log/academy-of-southern-music/?eType=EmailBlastContent&eId=d073b88d-f677-448c-9c41-191b5e0c631f accessed June 2, 2021.)
The South Was Right
In “The Power of the Powerless” (November 4, 2020), James Rutledge Roesch provides an excellent description of the Puritan Yankee mentality that wars against the South, which proves that the South was right (https://www.abbevilleinstitute.org/blog/the-power-of-the-powerless/?eType=EmailBlastContent&eId=c24f9d1b-a791-4b69-be6a-ca8b5d96ed4b):
In the meantime, however, we can take some bittersweet solace in the fact that despite the sadistic iconoclasm against the symbols of the American South, the polarisation/radicalisation of American politics, the dysfunction of the American system of government, the corruption of the American party system, the degeneracy of American culture, and the disintegration of American society represents the ultimate vindication of the Southern critique of American millenarianism (i.e. “The City Upon A Hill” and “The Last, Best Hope for Mankind”), American gnosticism (i.e. “The More Perfect Union” and “The Indissoluble Union”), American teleocracy (i.e. “The Proposition Nation” and “The Redeemer Nation”), American hubris (i.e. “The Exceptional Nation” and “The Indispensable Nation”), and other Hebraic-Puritan “isms” and “ologies” from the Left and the Right to which our compatriots up north have proven so susceptible throughout our country’s very young life.
Copyright © 2025 by Thomas Coley Allen.
